Drawing on the idea of reuse and material circularity — in a city like Braga, shaped by the construction industry — the proposal makes use of leftover materials to envelop the wooden circular deck that houses the jacaranda. Three main components define the proposal: a wall, a structure, and a roof. The wall, made from concrete blocks awaiting a future purpose, forms a permeable, rhythmic circle — a gathering space. Rising from this wall is a semicircle of steel beams, once forgotten in a warehouse, supporting a porous roof crafted from surplus mesh. Together, these elements create an open, recycled space that feels profoundly new.
The sculptural rotation of these three elements — drawn from different origins and functions — gives rise to a new public space in Quinta da Capela. A space that may serve as a shelter for the entire community, echoing Sebastião Alba’s supracasa concept, while also offering a place for sharing and rediscovering the site’s literary references. Like theatre props that are reused, shifted, and reimagined, the proposal Rotation affirms itself through its own sense of rotation — whether through new uses or in imagining more sustainable futures for this and other neighbourhoods.